Hobos
to Street People:
Artists' Responses To Homelessness
from the New Deal to the Present
A Traveling
Exhibition 2009 - 2012
Curated
by Art Hazelwood
The official exhibition website contains, images of
the show, audio, press coverage and a show schedule. wraphome.org/hobos.html
A series of video interviews at the first venue in
San Francisco, with artists, activists and people with first hand
experience of homelessness, along with
an article about the show by Carol Harvey can be seen here
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Hobos to Street People opens at the Bakersfield Museum
of Art
speech delivered by Art Hazelwood at the opening reception
Thank
you to the Bakersfield Museum of Art for hosting this exhibition.
It
is
an
important
and a rare
thing
for museums to address issues of poverty. Here we are in the
worst recession since the Depression, and the majority of museums
in the San
Francisco
area where I live are doing fashion shows. If art is to have
any connection to society, it must demonstrate that connection
in exhibitions like
this. For the issue of homelessness this is particularly true
because the primary
reaction to homelessness, is to pretend it doesn’t exist,
or to make it disappear by criminalizing it. And here a museum
is holding
it
up and saying, look this is a serious issue that needs to be
understood and effectively addressed. I applaud Bernard Herman
and Emily Falke
and the Bakersfield Museum of Art for taking this brave step.
Hobos to Street People is an historical survey. It contrasts
the period of the Great Depression with the era of modern homelessness,
which
began in the early 1980s. There are many parallels between
the two periods.
If one looks at the homeless encampments along the American
River in Sacramento, and in Fresno today one can only be struck
by
the incredible
similarities to the photos of Dorothea Lange. And in the agricultural
fields today the workers live in conditions very similar to
the Depression era images. But of course there are differences.
The
people in Dorothea
Lange’s photos were primarily economic migrants from
the Midwest. Today the agricultural workers are economic migrants
from the global
south.
The art in this show was created by the artists to make homelessness
visible. And they often used their art in different ways to
get their message out. The art was used as posters, in magazines,
street papers,
gallery shows, in books, and in Dorothea Lange’s case
as Congressional testimony. And this year several pieces in
this
show were used as testimony
to the United
Nations Special Rapporteur on housing who was
recently in the US.
Let me give you a few facts to put this in context. During the
Depression six thousand Dust Bowl migrants arrived in California
each month.
In 1933 there were more than one million Americans homeless.
Unemployment in 1929 stood at 3% and by 1933, 25% of all workers
were unemployed. Those are pretty alarming numbers and today’s
numbers aren’t great either.
This
year the US Department of Education estimates nearly 1 million
children will be homeless. Forty million Americans
are living in poverty. This year has
shown a 9 to 12% increase in people in shelters. Unemployment is above 10%
nationwide. Although the real unemployment figure is closer
to 16%. Veterans of the Iraq
and Afghan wars are moving at faster rates into homelessness than ever before
according to the VA. And of course foreclosures are up everywhere. So what
has the Federal Governments response been? Over the last
four years it has cut all
forms of spending on low income housing by two billion dollars, while increasing
spending on homeless assistance by 157 million dollars. The message in other
words is that it isn’t a system wide failure but simply a failure of
individuals. And that is the message driven home again and again. That the
problem of homelessness,
is a problem of broken individuals.
During the Depression there was a different idea. Artists during the
Depression had a sense of the innate nobility of people. They wanted
to show that poor people
who had lost everything still retained their dignity. So you see again and
again, the proud stoic mother in Dorothea Lange’s photos or the determined family
in Rockwell Kent’s prints. And the government responded too. The New Deal
created programs that assisted artists and gave them opportunities to make this
art. But the government also created jobs programs, it addressed the dislocation
of farmers from the Midwest and it created agencies to build housing – laying
the groundwork for the first federal response to homelessness in US history.
At this time of year charity is on a lot of people’s minds. And charity
from individuals is a beautiful thing. But when governments respond to social
disasters with charity…when the federal government is giving blankets
instead of addressing the problems of inadequate housing, or of homeless children
and
the needs of returning veterans, then charity is merely a mask and a sham to
hide inaction.
This
exhibition is evidence of how artists from the Depression era as
well as today have used their art to provoke action and to assist
in movements towards social justice.
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Bakersfield
Museum of Art |

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Bakersfield
Museum of Art
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Now
Bakersfield Homeless Center
Some of the people doing the hard work in Bakersfield today can be found
at the Bakerfield Homeless Center. They participated in the exhibition
with a show of artwork by homeless children. http://bakhc.com/
Then
Weedpatch Resettlement Camp
If you are in Bakersfield to see the exhibtion make sure to
visit Weedpatch camp, one of the Resettlement Administration camps set
up in the New Deal. Dorothea Lange photographed there, and it was the
camp where John Steinbeck met his most important sources for the Grapes
of Wrath. There are three buildings still standing inside a functioning
Kern County Housing Authority Migrant Workers Camp.
Only a short drive outside of Bakersfield www.weedpatchcamp.com |

Burning the Grapes of Wrath in Kern County, 1939 |

Weedpatch Camp today |
University
of California Merced, Kolligian Library, August 30 - October 25,
2009
UC Merced
Hosts the Hobos to Street People exhibition at the Kolligian Library.
Historian, Charles Wollenberg and curator, Art
Hazelwood gave
a presentation to students and faculty on September 23, 2009
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University
of California Merced, Kolligian Library, 2009
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California
Historical Society,
San Francisco,
February 19 - August 16, 2009

Exterior
California Historical Society, San Francisco, 2009
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California
Historical Society, San Francisco 2009
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California
Historical Society, San Francisco 2009 |

Invitation for the Exhibition in San Francisco
For more about the Exhibition in San Francisco see the
official site for the exhbiition
wraphome.org/hobos.html |

California
Historical Society, San Francisco 2009 |